2025-11-12 ~ 2025-11-30 癒—江怡瑩個展|財團法人大嵙崁文教基金會 藝術行動展覽空間(Healing: 2025 Solo Exhibition by I-Ying Beatrice Chiang)

江怡瑩以故鄉大溪的田園記憶為創作根源, 將對土地的深厚情感轉化為藝術滋養 。本次創作計畫始於思親惆悵的農事學習,藝術家透過翻土耕種,讓「種植」成為與家人 、大地重新連結的儀式,亦藉此探問人與自然之間的互動關係。

她邀請自然參與創作,保留材料的有機紋理與生長痕跡,運用 3D 列印、塑形、電焊、琺瑯、金工與木工等技藝,使天然纖維與金屬、塑料等異質媒材產生對話,展現出自然與人為共構的美感張力。本次展出作品不僅呈現材質的觸感、色澤與氣味,更隱含對「永續」與「土地情感」的深層思索——透露一種回歸自然、再生與延續的生命嚮往。

本展覽不僅是藝術家對家鄉風土的致敬,更是一場關於「感知、材料與文化記憶」的藝術實驗。藝術家以其作品為微觀載體,凝視土地所蘊藏的時間與情感, 蓄積一股在自然與人心之間復返的靜謐力量。

展覽日期|2025/11/12(三)- 11/30(日)

展覽地點|財團法人大嵙崁文教基金會 藝術行動展覽空間(桃園市大溪區中山路 29 號)

開放時間|週三至週日・上午 10 時至下午 5 時(週一、二休館)

協辦單位|財團法人大嵙崁文教基金會

攝 影 師|陳弘諭

模 特 兒|江霈瑀

文宣設計|鍾禾翌璇

Healing: 2025 Solo Exhibition by I-Ying Beatrice Chiang

Rooted in the rural memories of her hometown, Daxi in Taiwan, I-Ying Beatrice Chiang transforms her deep emotional connection to the land into artistic inspiration. This project launched with the artist’s longing for her father, expressed through hands-on farming experiences. Through tilling and planting, the act of cultivation becomes a ritual of reconnection—with both the earth and her family—and prompts reflections on the relationship between humans and nature.

Inviting nature as a co-creator, Chiang maintains the organic textures and growth marks of the materials she works with. Employing craft techniques and incorporating 3D printing, molding, electric welding, enameling, metalsmithing, and woodworking, she fosters a dialogue between natural fibers and contrasting materials like metal and plastic. The resulting works embody a dynamic aesthetic tension between the organic and the man-made. These pieces evoke tactile, chromatic, and olfactory sensations and encourage a deeper reflection on sustainability and our emotional connection with the land— resonating with a quiet longing for renewal, continuity, and reconnecting with nature.

This exhibition serves as both a tribute to the artist’s hometown and an artistic exploration focused on perception, materiality, and cultural memory. Through her works as microcosmic vessels, Chiang captures the emotional and temporal layers embedded in the soil, channeling a serene yet potent force that flows between nature and the human mind.

Dates| Nov. 12 (Wed.) – Nov. 30 (Sun.), 2025

Venue|Artistic Act Space, Takoham Culture & Education Foundation (No. 29, Zhongshan Rd., Daxi District, Taoyuan City, Taiwan)

Opening Hours| Wed.–Sun., 10 AM–5 PM (Closed on Mondays & Tuesdays)

Co-sponsor|Takoham Culture & Education Foundation

Photographer|Hung-Yu Chen

Model|Pei-Yu Chiang

Graphics Design|Yii Chung

2022-05-16 ~ 2022-09-30 物外—江怡瑩創作個展|清華大學總圖書館(Beyond Object-Creation In-Between By Beatrice Chiang)

物料與工具是工藝創作的重要載體。藉由媒材的特質掌握、工具的嫻熟操作,工藝家們得以創造出各自獨特的作品物件。本展創作者試圖在「物性」的理解中,引導出「身體感知」的覺察與顯現;亦欲於「人性」的探究中,釐清「心理認知」的本質與脈絡。多年來,江怡瑩藉由耙梳老莊智慧與西方哲理,探討物與人之間關於身體經驗的回歸循環與虛體意象的能量匯萃,她效法老莊與超現實主義者,自由自在地拼貼了夢幻與現實。

在工藝創作中,無論在主題內容或方法技巧,江怡瑩皆大膽嘗試了傳統與創新的結合與突破,以活潑生動的手法探討嚴肅的「時間」與「存在」議題。在創作內涵中,除了延續「物」與「人」的互動探討外;在材質研究上,她亦持續熱衷於金屬與異媒材質的結合嘗試,將金屬、玻璃、紙漿、木塊、纖維、塑料、光敏聚合樹脂、數位輸出等媒材技法,應用在其各系列創作的探討中,使得原不相屬的對比媒材在互補激盪中,綻放奇妙之感質體驗(Qualia Experience),並展現「當代工藝」(Contemporary Craftology)應有的時代思維與多元面貌。

除了力行於身體配飾、生活物件的金工(Metalsmithing)實踐外,江怡瑩也延伸其創作尺度於大型公共藝術的設計規劃與監製實務。此外,她戮力於將「數位媒體輔助設計與製作」的概念與技術,導入自身的創作與教學之中,運用數位科技與傳統工藝的結合,展現當代工藝別具特色的跨域創新與文化風華,宣揚以傳統工藝為底蘊、佐以科技美學為新器的「新工藝」精神。據此,本展覽挑選、展出江怡瑩歷年代表作品的實體物件,於展覽現場結合擴增實境(Augmented Reality, AR)的技術運用,以延展工藝物件於其本體之外的內涵顯現及別樣詮釋。

展期:2022-05-16 ~ 2022-09-30
時間:週一至週五08:00~22:00;週六、日10:00~18:00(國定假日休館及校定假日、彈性上班等特殊情況,請隨時注意圖書館公布欄)
地點:國立清華大學 總圖書館 5F-6F 藝想空間
地址:300 新竹市東區光復路二段101號

費用:免費參觀 For free